DREAMLAND RECORDINGS

ZK in NZ

Fri, 22 Mar 2013 22:26:20 +1100

Event. Begin 2012.

Fri, 11 Jan 2013 16:07:51 +1100

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Event. Final for 2012.

Sun, 25 Nov 2012 11:51:56 +1100

Featuring a super rare performance from Wintership Quartet

Online tickets available from Moshtix. Limited seating available.

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Coming Soon

Thu, 25 Oct 2012 17:57:19 +1100

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DR028 - Michael Munson - Twin Ships

Thu, 25 Oct 2012 17:53:51 +1100

In Twinships, Michael Munson collaborates with dancer/choreographer Deanne Butterworth to create two simultaneous worlds, the sonic and the physical, in order to challenge the way we observe and perceive people. A jewel-like reflective centrepiece that projects images of botanical and architectural landscapes is both set and metaphor. As Butterworth dances her solo, she manipulates the mirrored psyche of the Twinships’ worlds to expose notions of perception, truth and misrepresentation.

Twinships by Michael Munson

Event-agious

Thu, 09 Aug 2012 15:35:00 +1000

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Audio

Tue, 31 Jul 2012 13:15:44 +1000

Wes Imel - Rickshaw Driver

Tue, 24 Jul 2012 10:52:00 +1000

While not technically a Dreamland release, we have teamed up to lend support to this excellent EP.

Featuring 3 gorgeous and glacially paced slow jams from Chicago sound-master Wes Imel, Rickshaw Driver is a record tailor-made for early mornings – a veritable antidote to Monday morning blues – carefully unfolding into its own universe of positivity. Enormously recommended.

&lt;a href=”http://dreamlandrecordings.bandcamp.com/album/rickshaw-driver” data-mce-href=”http://dreamlandrecordings.bandcamp.com/album/rickshaw-driver”&gt;Rickshaw Driver by Wes Imel&lt;/a&gt;

Pieces of Flair

Thu, 05 Jul 2012 20:05:06 +1000

Fellow Tumblr users, if you have not done so already, head on over and “Like” our facebook page. Here you can keep up to date with all of the awesomely brilliant events we keep hosting, case in point BROKEN SIGNALS and the recent Dronestock.

Broken Signals was a short lived series of music nights held at Horse Bazaar during late 2007 to mid 2008. It is our hope that we can resurrect this series (we’ll see) with the maiden voyage kicking off very soon at Conduit Arts.
If you dwell in Melbourne then come along.

Featuring these fine peoples:

The Ghost of 29 Megacycles
Winternationale
Barnaby Oliver
Dark Passenger

Dronestock

Sun, 06 May 2012 17:19:15 +1000

Come to this. Tracks from performers via Facebook

OUT NOW

Mon, 31 Oct 2011 14:07:22 +1100

OUT NOW

Mon, 31 Oct 2011 14:06:10 +1100

DR027 - Faspeedelay - EP

Mon, 31 Oct 2011 13:48:00 +1100

This three-piece have sporadically performed live since the 2000s, working with sounds and rhythms that fall somewhere between post-rock and krautrock.

They have played shows as varied as being the main support to Rowland S. Howard & band in a grand St. Kilda venue and Scattered Order in a dingy Sydney Warehouse to a Northcote Church hall with audio-visualists The Spheres.

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Contact/bookings

&amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/album/faspeedelay-ep” _mce_href=”http://dreamlandrecordings.bandcamp.com/album/faspeedelay-ep”&amp;amp;amp;amp;amp;gt;Faspeedelay - EP by Faspeedelay&amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;gt;

DR026 - Various Artists - Around

Fri, 30 Sep 2011 20:48:29 +1000

An international collection of music and sounds from friends and new discoveries.

Gathering an epic selection of 37, brand new, unreleased, and previously released tracks, Around is our way of shining a small light on a vast array of talented artists we have befriended since the label’s inception in 2002, with special consideration to Australian artists.

Available in a variety of digital formats, this release is offered as a free or pay as you like download.

Front cover photo by Heath Yonaites.
Individual track photography by Christy Romanick.

< D O W N L O A D >

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&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/the-coralinas-solitude-edit” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/the-coralinas-solitude-edit”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Coralinas - Solitude (edit) by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

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&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/vord-out-of-sight-out-of-mind” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/vord-out-of-sight-out-of-mind”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Vord - Out of Sight, Out of Mind by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/chris-smith-blossom” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/chris-smith-blossom”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Chris Smith - Blossom by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/lost-to-the-city-sun-sea-stone” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/lost-to-the-city-sun-sea-stone”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Lost to the City - Sun &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp; Sea &amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp; Stone by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/shiny-around-the-edges-this-apocalypse” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/shiny-around-the-edges-this-apocalypse”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Shiny Around the Edges - This Apocalypse by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/silent-land-time-machine-janus-is-asunder-is-the-sound-is-the-truth-is-the-light” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/silent-land-time-machine-janus-is-asunder-is-the-sound-is-the-truth-is-the-light”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Silent Land Time Machine - Janus is Asunder is the Sound is the Truth is the Light by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/the-scrapes-closed-circuit” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/the-scrapes-closed-circuit”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Scrapes - Closed Circuit by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/the-boy-who-spoke-clouds-dusk-field” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/the-boy-who-spoke-clouds-dusk-field”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Boy Who Spoke Clouds - Dusk Field by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/panoptique-electrical-not-knowing” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/panoptique-electrical-not-knowing”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Panoptique Electrical - Not Knowing by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/lawrence-chandler-i-saw-satan-fall-like-lightning” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/lawrence-chandler-i-saw-satan-fall-like-lightning”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Lawrence Chandler - I saw Satan fall like Lightning by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/more-states-beards-of-majesty” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/more-states-beards-of-majesty”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;More States - Beards of Majesty by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/constant-light-factory-floor-manufacturing-mix” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/constant-light-factory-floor-manufacturing-mix”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Constant Light - Factory Floor (Manufacturing Mix) by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/remora-typical-teenage-secret-weapon” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/remora-typical-teenage-secret-weapon”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Remora - Typical Teenage Secret Weapon by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/penguins-acidic” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/penguins-acidic”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Penguins - Acidic by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/adam-hunt-distracting-distracted” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/adam-hunt-distracting-distracted”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Adam Hunt - Distracting.distracted by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/rotteur-wasteland” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/rotteur-wasteland”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Rotteur - Wasteland by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/northern-valentine-the-rift” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/northern-valentine-the-rift”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Northern Valentine - The Rift by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/summer-of-glaciers-industry-echoes” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/summer-of-glaciers-industry-echoes”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Summer of Glaciers - Industry Echoes by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/vodnik-untitled” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/vodnik-untitled”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Vodnik - Untitled by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/keith-levene-2011” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/keith-levene-2011”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Keith Levene - 2011 by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/a-death-cinematic-my-heart-is-a-burning-silo” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/a-death-cinematic-my-heart-is-a-burning-silo”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;A Death Cinematic - My Heart Is A Burning Silo by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/k-mason-see-the-sights-bell-street” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/k-mason-see-the-sights-bell-street”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;K Mason - See The Sights (Bell Street) by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/wolf-359-this-little-heart” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/wolf-359-this-little-heart”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Wolf 359 - This Little Heart by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/venus-ray-black-and-white-tears” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/venus-ray-black-and-white-tears”&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Venus Ray - Black and White Tears by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/mitre-my-cousin-emilys-in-jail” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/mitre-my-cousin-emilys-in-jail”&amp;amp;amp;amp;amp;amp;amp;amp;gt;Mitre - My Cousin Emily’s In Jail by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/the-ghost-of-29-megacycles-the-ghost-in-you” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/the-ghost-of-29-megacycles-the-ghost-in-you”&amp;amp;amp;amp;amp;amp;gt;The Ghost of 29 Megacycles - The Ghost in You by DREAMLAND RECORDINGS&amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;gt;

&amp;amp;amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/eluder-and-then-we-collapse” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/eluder-and-then-we-collapse”&amp;amp;amp;amp;gt;Eluder - And then we collapse by DREAMLAND RECORDINGS&amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;gt;

&amp;amp;lt;a href=”http://dreamlandrecordings.bandcamp.com/track/landing-wash-through-rendered” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/landing-wash-through-rendered”&amp;amp;gt;Landing - Wash Through Rendered by DREAMLAND RECORDINGS&amp;amp;lt;/a&amp;amp;gt;

&lt;a href=”http://dreamlandrecordings.bandcamp.com/track/delta-waves-winter-without-you” _mce_href=”http://dreamlandrecordings.bandcamp.com/track/delta-waves-winter-without-you”&gt;Delta Waves - Winter Without You by DREAMLAND RECORDINGS&lt;/a&gt;

Hi i was wondering if the Barnaby Oliver's 'Jesus' Blood Never Failed Me Yet' project was going to see a release in the near future?

Wed, 28 Sep 2011 17:34:23 +1000

I am not sure. I do know that there is a recording of the performance, but whether it is released is another story.

From the Vaults: Screwtape - Omission

Thu, 01 Sep 2011 12:40:13 +1000

Screwtape has been known to churn out harsh noise works with the best of them, but his output has displayed a consistent range over the years with works such as his album Teaching Ravens to Fly Underwater that stand apart fom his harsher releases.

Omission is another of these. It is Screwtape via cold, dark ambient territory, and dark it certainly is. Like HP Lovecraft hitching a ride with the Cenobites on some custom made dark space cruiser bound for oblivion.

This re-release has been remastered from the original files.

<a href=”http://dreamlandrecordings.bandcamp.com/album/screwtape-omission” _mce_href=”http://dreamlandrecordings.bandcamp.com/album/screwtape-omission”>Screwtape - Omission by DREAMLAND RECORDINGS</a>

From the Vaults: Little General - Yellow EP

Mon, 08 Aug 2011 12:45:25 +1000

In between our new releases we are offering up higher bitrate quality re-releases of our online series. These will loosely be titled From the Vaults.

To kick off this idea we begin with the band Little General.

Little General were a Melbourne group that existed for four years, gradually coming to an end in 2002 after exposing audiences to their own brand of instrumental music, fusing elements of ambience, post rock & electronica into a unique mixture. Yellow is the first of two EPs comprising some of their best moments.

<a href=”http://dreamlandrecordings.bandcamp.com/album/little-general-yellow” _mce_href=”http://dreamlandrecordings.bandcamp.com/album/little-general-yellow”>Little General - Yellow by DREAMLAND RECORDINGS</a>

SONIC ARRAY!

Fri, 01 Jul 2011 19:06:00 +1000

Saturday August 6^th saw an unlikely bunch of musical misfits descend on Irenes warehouse for the next SONIC ARRAY show.

Keeping with the event’s concept of bringing together a stylistic mixed bag of musicians regardless of scenes, styles or profile, we painstakingly assembled a unique lineup that lived up to this.

Ouch My Face is a three-piece experimental punk band from Melbourne via rural Australia. Front-woman Celeste Potter cuts through the pummeling rhythm section like a diamond tipped chainsaw with her trademark banshee-like howls and chaotic lead guitar style. Along with Steven Huf (Bass) and Ben Wundersitz (Drums), for several years OMF have poured their ferocious art into the giant bubbling cauldron that is the Melbourne music scene, earning themselves a distinct reputation as a formidable, raw and viscerally exciting live act.

01-Ouch My Face - Build A House by Dreamland Recordings

Zac Keiller / Barnaby Oliver / Chris Smith guitar trio This one off improvisational performance brought together three local guitar players each with unconventional stylistic leanings. One of them being the hyper talented Chris Smith (Golden Lifestyle Band, Bad Orchestra). They experimented with open tunings, limited effects and unlimited volume to create a thick gritty, jangly guitar smoke.

02-Zac Keiller and Barnaby Oliver - Vintage 5 by Dreamland Recordings
03-Chris Smith - Goose Run (extends) by Dreamland Recordings

Cuba is Japan. A distinct bunch of lads creating their own curious style of violin driven cinematic music. Featuring Cameron Potts (Baseball) leading the band on a mission to bring back into existence in sound, the great explorers of this planet earth.

04-Cuba Is Japan - El Paso by Dreamland Recordings

Somehow is a duo consisting of Lyn Gordon and original Melbourne post-punk icon Ash Wednesday, member of The Models (when they were good), Crashland and most notably EINSTÜRZENDE NEUBAUTEN for the past 14 years.

05-Somehow - Outside by Dreamland Recordings

Admin Bldg The debut performance for this new project that is one part Donkey’s Tail, one part Paul Kidney Experience, working up a bunch of pieces using alto sax loops and live drums - primitive bebop vs. improv.

Admin Bldg on soundcloud

06-Admin Bldg - 9 by Dreamland Recordings

Where Were You At Lunch are a three-piece that play obstreperous instrumental music with moments of gentle sadness. Some of their songs are carefully composed by generating intervals and rhythms from sports statistics. Others are spasmodic improvisations or cyclic linear compositions.

07-Where Were You At Lunch - Wife (excerpt) by Dreamland Recordings

Bonnie Mercer and Andria Prudente one is a former member of one of Melbourne’s noisiest rock bands: Grey Daturas. One has contributed her songwriting, guitar textures and vocal stylings in a host of long lost but not forgotten acts from the late 90s: Arrosa, Seaville, A Slow Loris, Scared of Horses, BooWho… At our special request they united as a guitar duo, drawing on years of musical experience to create a unique performance of guitar atmospheres.

Monolith presented us with their debut performance of what they call industrial space drone. Taking inspiration from Minit, Grey Wolves, Tangerine Dream, and Eliane Radigue to name a few.

08-Monolith - Tombs (excerpt) by Dreamland Recordings

Facebook event page

NEW RELEASES

Fri, 17 Jun 2011 06:29:00 +1000

In a relatively short time of over three years Infinite Decimals have kept busy, supporting an array of international touring acts, touring interstate, and establishing themselves as one of the most interesting experimental, drone acts around with “2.54421781”, their third release as well as their first audiovisual dvd release “3 Videos” presenting (as the title suggests) 3 videos by the band’s 3rd member/projectionist Paul Rodgers.

To understand the band’ strengths they are best witnessed live for their strong visual sense, both in the films that accompany their performances, and in the striking and colourful paintings (by local artist Miriam White) that adorn every one of their releases. Infinite Decimals create droning, shimmering and at times rhythmic atmospheres made entirely from human hands, and with very little effects.

Their repertoire has an excellent versatility with limited instrumentation (originally solely bass and electric guitar, slowly evolving to include piano, light percussion and acetone organ). Containing elements of what one may call ambient or drones, but not relying on droning sounds or equipment, their sound is based on technique based playing; with the trio’s two musical members working tirelessly with frantic repetitive strumming of bass, or guitar and piano keys to generate immense walls of sound that are equal parts calming, tense, fluid or shambolic.

If Thousands interview

Mon, 06 Jun 2011 19:42:00 +1000

The following interview was originally conducted by Bob Baker Fish and published in the Australian InPress street press magazine to coincide with the release of Greystone on Sea in 2005.

Can you give me a bit of background to the band? When did you two begin working together? What were your intentions when you began? Has this changed over time? We were both bored with what we’d been doing musically. Aaron was playing punk music and I (Christian) was doing classical and folk. Aaron put an ad in the local paper looking for studio space, and as it turned out, Christian had a beat up space in the West end of town. We were both kind of floundering musically until we decided one day to try to play music together. if thousands literally began the day that Aaron and I sat down and started making sounds. It’s really that simple. That very first day, I told Aaron these were the sounds I was trying to make for about the last 10 years. There was a definite feel we were trying to achieve even from the beginning. What is even more odd is the fact that we’re very different people from very different backgrounds. Someone once said we’re polar opposites. In any other band, we’d probably strangle each other. For whatever reason, we find an extremely common ground in if thousands. I guess that its one of the beauties of music. It is actually quite weird when I think about it too much, so I try not to. If you analyze if thousands further, nothing we do should work, but it does. In a very general way, I feel if thousands is exactly what Aaron and I are suppose to be doing at this time in our lives. In that respect, we feel pretty fortunate to able to do what we do and have people actually buy our albums and come to shows.

The name “if thousands” was made up after a long, long search for a band name. After a couple months and a lot of head scratching, Aaron and I were listening to Sonic Youth’s A Thousand Leaves album and he said he liked the word “thousand” so we wrote it on a piece of paper and stuck it to the wall. Around it we wrote all the smallest words we could think of: and, or, but, if, the, etc. “if thousands” just sounded right. As soon as we saw it, we felt it described what we did perfectly. It is such an odd assemblage of words. It sounds like something, but not when you look closer, it is an incomplete sentence. It is unfinished. It makes absolutely no sense, yet it is easy to remember and it rolls off your tongue. It fits us perfectly.

What attracts you to working with drones? The idea of the drone is a very simple idea that works as a foundation for what we do. Drones occur everywhere in the natural world; be it the wind, the rushing of water, street noise or the hum of electricity - there are millions of examples. In the beginning, Christian bought an old Hammond organ and had no experience playing a keyboard instrument (and still doesn’t for the most part). In part, the idea of the drone came out of the fact that Christian couldn’t move his fingers very fast on the keys and his only other keyboard at the time was an antique Moog synthesizer he found discarded in a snow bank out in the middle of a woods seven years prior (and also had no idea how to play properly). It was partially a happy accident. Right away we were drawn to them. It fit the concept of what we were trying to accomplish musically with if thousands.

Your music seems to change with each successive album. How would you characterize If Thousands? I’m reluctant to say we’re a concept band, but in part that’s what we are. There’s a definite feel to each album that we try to strive for. We’re always trying to push the musical envelope further without becoming unlistenable. It’s difficult to characterize us because what we do is so “out there” compared to most music. Because of our musical backgrounds and the nature of what we do, if thousands isn’t one sided - there are many facts. Just when someone thinks were a only drone band, we’ll record a banjo tune. We’ve been called atmospheric, ambient, drone, noise, found sound, experimental and many others. It’s hard to put your finger exactly on the top of if thousands and we’re comfortable with being uncategorizable. One of our personal favorites was published in New York’s Village Voice that stated we were “The Gothic drone lords of Duluth.” We got quite a kick out of that one.

Much of your music is incredibly warm and peaceful; great swells of often quite dense sound. How do you approach it compositionally? Do you think in terms of mood, movements, or textures? Or is there something else that governs how you construct or think about your tunes? We never write anything down. What we try to do is just let the music come out of us. It’s hard to explain, because in one respect, if thousands is such an odd band compositionally. We have a improvisational jazz ideal, yet we make music with most instruments and techniques that you’d be shot for in a jazz band. Plus, we make music that’s nowhere near jazz. We work mainly with moods, concepts and themes as the basis of our music. When performing live, we’ll usually use the space we’re in as partial inspiration for what we’re about to perform. What we do has no walls and very few restrictions (such as making music with computers). As a musician, I can’t think of anything better. To be able to continuously create again and again with no one telling you, “You can’t do that,” gives you an incredible sense of freedom to create. Actually, in the beginning, a lot of people told us we couldn’t do what we did, so we just kept breaking the rules. We still keep breaking the rules. Music shouldn’t be about parameters or sounding like someone famous, it should be about freedom to express oneself though a musical medium regardless if anyone likes it or not. First and foremost, we make music that we’re happy with. Fortunately (and surprisingly) there are other people in the world that really appreciate and support what we do as well. That’s an unforeseen bonus. In the beginning, we were certain everyone would hate us.

To what extent is your music improvised? What parameters (if any) do you set before you play? Most of what we do is improvised. Over the years, we’ve found that planning too much beforehand creates a stale, rigid sound to our music. Mostly, we come up with a concept, environment or theme and work toward the “feel” more than the “structure”. For example, “Paint the Night” off Candice Recorder is about a friend of mine who was murdered when I was in high school. The entire Yellowstone album was based around the grandiosity of Yellowstone National Park. I have nothing was based around the area in which we live.

You seem attracted to recording a record in a basement in just one night without overdubs. Do you feel your music benefits from the spontaneity of a live performance as opposed to labouring over each piece in the studio? Yes. It’s in the nature of what we do. If we spent countess days or months on an album, it would sound too preplanned, overproduced or forced. The short time we spend in a studio is on purpose. As a bonus, we’ve found that it also adds to our more organic sound as opposed to some of the other ambient bands out there. Rough edges are a good thing.

You wrote in the cover to Lullaby “please listen to this recording at as low a volume as possible to induce and aid in slumber.” Do you still see this as an important role or use of your music? Our initial concept for if thousands was to try to do something different that wasn’t being done. When we first started, Aaron was used to playing punk rock and Christian had a definite angst edge in the music he was doing, We looked around and noticed that everyone seemed to be doing angry music, including ourselves. At a risk, we decided to do exactly the opposite. We said, “Hey, let’s play music that will relax people to a state of drooling. If they fall asleep during a performance, it’ll be a compliment.” Since then, audiences have had a variety of reactions; from sleeping, to meditation, inner revelations and even crying. We try to create music that comes straight out of us. With improv, you have about a second or two to plan as the music rolls along - so most times you just don’t bother and instead just let what’s in you come out. In this way, we’ve found it to be a very emotional experience for both ourselves and the audience.

From what I have heard of your previous work I believe on Greystone on Sea is possibly closer to noise music than ever before much denser, with tracks like 25 below feeling more static, less like its coming in waves or swells than before. Is there a link with what you do and noise music? Is it something that you think about with If Thousands? Yes. We got a little noisy on Greystone on Sea. We were looking for a definite “lo-fi” sound when we were recording. Sometimes that happens. I think it was our mood at the time. Noise music is usually something we try to shy away from, since it has a way of alienating some listeners and audiences and giving the wrong impression of what we do. However, it’s a factor that we always try to keep on an even keel with the more melodic, atmospheric nature of our music. For example, on “Atrocious) (from Candice Recorder) or “Radio is Fine” (from Yellowstone) or “Providence” (from I Have Nothing) we were looking for a gritty, intense sound that would make listeners feel slightly uneasy, like something is wrong or awry. But that’s not the entirety of the album. Noise is only a part of what we do when we need to do it. It’s not all were about.

To what extent does melody or repetition play a part in If Thousands? It plays a huge part. Repetition of a theme or phrase occurs in all that we do - it’s part of the drone and meditative aspect of the music. Christian is very big on melody, probably from his classical and folk past. Aaron is big on making sure the music is not overly structured, probably from his punk past.

Can you fill me in on the background to Greystone on Sea? What was your intention with this work? A while back, we were asked by Dreamland Recordings to record some lo-fi music. After tossing around various recording ideas, we decided to ask a friend, Jake Larson, to record us in Christian’s makeshift studio in his basement. As with many of the recordings we’ve made in the past, we didn’t exactly know what we were going to do beforehand. As we began recording, we decided to use shortwave signals and static transmissions of communications as the central core. One of the ideas was to build around the concept of the millions of stray communications signals that are being transmitted from earth, but are scattered and emitted throughout outer space. Christian has heard that there’s a theory that old radio broadcasts from the 1920s can now be heard as far away as Jupiter via shortwave. This concept added to the noise aspect of the recording.

How did you become involved with Alan Sparhawk? What did he bring to Yellowstone or to If Thousands? Quite a while back, Christian worked in a local music store with Alan, many years before Low. Alan worked behind the counter and Christian was a music teacher & they quickly became friends. Over the years, they lost touch with each other (due in part to Low’s heavy touring schedule). The whole process of working with Alan started with an enormous show in Duluth back in 2001 or 2002 called “Elegy”. A close friend of Alan’s, Michael Lentz, had been murdered and he and other friends decided to host a 25 hour drone concert in the honor of the deceased. The concert being obviously right up our alley, we were asked to begin, end and participate in the concert to which we honorably agreed. About 300 or so musicians showed up form around the world, one even from Australia. It was an unbelievable concert. This was also the beginning of our relationship with Travis Wilkerson, a brilliant independent film director from Los Angeles, who was in town to film the concert. Later, and somewhat out of the blue, we were asked by Alan to play a big show in Minneapolis, MN with Low. He commented that he really enjoyed the music we were creating. Not long thereafter, and again somewhat out of the blue, he asked us if we’d like to be on his label, Chairkickers’ Union Music. Since then we’ve worked quite a bit together on many different projects. Christian now runs the production side of the Chairkickers’ label along with a fellow musician from New York, Marc Gartman. if thousands has always amazed both of us. What began as simply two guys making a lot of noise and weird sounds in a broken down studio has grown into something we had no idea would go this far. We used to dream about making albums, doing soundtracks and working with musicians we respected, and since then, all our dreams have come to reality. We both feel pretty fortunate.